{"id":8,"date":"2019-10-26T23:20:24","date_gmt":"2019-10-26T21:20:24","guid":{"rendered":"http:\/\/stephaniemedieux.com\/?page_id=8"},"modified":"2026-01-12T22:52:57","modified_gmt":"2026-01-12T21:52:57","slug":"accueil","status":"publish","type":"page","link":"https:\/\/stephaniemedieux.com\/","title":{"rendered":"Accueil"},"content":{"rendered":"

[et_pb_section fb_built=\u00a0\u00bb1″ disabled_on=\u00a0\u00bbon|on|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/wp-content\/uploads\/2025\/11\/smx3.jpg\u00a0\u00bb title_text=\u00a0\u00bbsmx3″ url=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/index.php\/contact\/\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ max_width=\u00a0\u00bb95%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/wp-content\/uploads\/2025\/11\/Lang-Vignette.jpg\u00a0\u00bb title_text=\u00a0\u00bbLang Vignette\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/index.php\/article-jack-lang\/\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ max_width=\u00a0\u00bb95%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/wp-content\/uploads\/2019\/11\/Titre-gazette.jpg\u00a0\u00bb title_text=\u00a0\u00bbTitre gazette\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/index.php\/article-gazette-drouot\/\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ max_width=\u00a0\u00bb95%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_image src=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/wp-content\/uploads\/2020\/11\/Pinceaux-corrig\u00e9-1-e1605220496595.jpg\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/index.php\/decouvrir-les-toiles\/\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ max_width=\u00a0\u00bb95%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/wp-content\/uploads\/2025\/11\/H.jpg\u00a0\u00bb title_text=\u00a0\u00bbH\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/stephaniemedieux.com\/wp-content\/uploads\/2025\/11\/H.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_toggle title=\u00a0\u00bbManifeste du Bleu\u00a0\u00bb disabled_on=\u00a0\u00bbon|on|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.5″ title_font=\u00a0\u00bbShadows Into Light||||||||\u00a0\u00bb title_font_size=\u00a0\u00bb25px\u00a0\u00bb body_font=\u00a0\u00bbArchivo||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb16px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb7px||8px||false|false\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

Le bleu n\u2019est pas un refuge.<\/strong>
Il n\u2019est pas une fuite hors du monde.<\/p>\n

Apr\u00e8s la saturation des rouges, des ocres, des couleurs de l\u2019ar\u00e8ne et de la confrontation, le bleu s\u2019impose comme un geste n\u00e9cessaire. Une respiration, oui \u2014 mais consciente. Une pause qui n\u2019efface ni la violence ni la m\u00e9moire, mais qui refuse l\u2019\u00e9puisement.<\/p>\n

Ce bleu est multiple. Vif, instable, parfois presque agressif. Il ne calme pas, il d\u00e9place. Il ouvre un espace o\u00f9 le corps peut flotter sans dispara\u00eetre, o\u00f9 la tension se transforme en profondeur.<\/p>\n

Peindre le bleu, c\u2019est choisir la dur\u00e9e plut\u00f4t que le choc.
C\u2019est r\u00e9sister \u00e0 l\u2019imm\u00e9diatet\u00e9, \u00e0 la simplification, \u00e0 la frontalit\u00e9 constante du monde contemporain.<\/p>\n

Le bleu devient un lieu mental, un champ d\u2019exp\u00e9rience.
Il n\u2019impose pas une r\u00e9ponse, il maintient une question ouverte.<\/p>\n

Ce manifeste affirme une chose simple :
dans un monde satur\u00e9 de cris, la peinture peut encore respirer \u2014
sans jamais se taire.<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbBrod\u00e9e de temple, de duende et d\u2019amour.\u00a0\u00bb disabled_on=\u00a0\u00bbon|on|off\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ title_font=\u00a0\u00bbShadows Into Light||||||||\u00a0\u00bb title_font_size=\u00a0\u00bb25px\u00a0\u00bb body_font=\u00a0\u00bbArchivo||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb16px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb7px||8px||false|false\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n

\u00ab\u00a0Il y a souvent dans la peinture d\u2019inspiration taurine, des th\u00e8mes r\u00e9currents, omnipr\u00e9sents, parfois incontournables. Tout d\u2019abord les acteurs principaux, le toro, les toreros et les cuadrillas. Et puis il y a le reste, la mise en sc\u00e8ne, le rituel, l\u2019avant et l\u2019apr\u00e8s de la grande faena de la vie, de la grande faena de la mort.
St\u00e9phanie M\u00e9dieux est femme, peintre et brodeuse de couleurs.\u00a0 Ses toiles taurines sont brod\u00e9es de temple, de duende et d\u2019amour.
Face aux mille toros qui surgissent dans l\u2019ar\u00e8ne,\u00a0 il y a dans sa peinture mille couleurs, milles frissons, mille \u00e9clats de lumi\u00e8re, mille passes \u00e9ternelles , comme ces azulejos andalous qu\u2019elle d\u00e9compose et recompose au compas de ses pinceaux.\u00a0\u00bb<\/p>\n

\u00ab Entre tes cornes et mon c\u0153ur se mirent \u00e0 r\u00e9sonner
Les\u00a0 chants des hommes libres aux couleurs m\u00e9lang\u00e9es \u00bb<\/p>\n

Gabriel Sandoval<\/strong><\/p>\n

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Le bleu n\u2019est pas un refuge.<\/strong>
Il n\u2019est pas une fuite hors du monde.<\/p>\n

Apr\u00e8s la saturation des rouges, des ocres, des couleurs de l\u2019ar\u00e8ne et de la confrontation, le bleu s\u2019impose comme un geste n\u00e9cessaire. Une respiration, oui \u2014 mais consciente. Une pause qui n\u2019efface ni la violence ni la m\u00e9moire, mais qui refuse l\u2019\u00e9puisement.<\/p>\n

Ce bleu est multiple. Vif, instable, parfois presque agressif. Il ne calme pas, il d\u00e9place. Il ouvre un espace o\u00f9 le corps peut flotter sans dispara\u00eetre, o\u00f9 la tension se transforme en profondeur.<\/p>\n

Peindre le bleu, c\u2019est choisir la dur\u00e9e plut\u00f4t que le choc.
C\u2019est r\u00e9sister \u00e0 l\u2019imm\u00e9diatet\u00e9, \u00e0 la simplification, \u00e0 la frontalit\u00e9 constante du monde contemporain.<\/p>\n

Le bleu devient un lieu mental, un champ d\u2019exp\u00e9rience.
Il n\u2019impose pas une r\u00e9ponse, il maintient une question ouverte.<\/p>\n

Ce manifeste affirme une chose simple :
dans un monde satur\u00e9 de cris, la peinture peut encore respirer \u2014
sans jamais se taire.<\/p>\n

[\/et_pb_toggle][et_pb_toggle title=\u00a0\u00bbBrod\u00e9e de temple, de duende et d\u2019amour.\u00a0\u00bb disabled_on=\u00a0\u00bboff|off|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ title_font=\u00a0\u00bbShadows Into Light||||||||\u00a0\u00bb title_font_size=\u00a0\u00bb25px\u00a0\u00bb body_font=\u00a0\u00bbArchivo||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb16px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb7px||8px||false|false\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

\u00ab\u00a0Il y a souvent dans la peinture d\u2019inspiration taurine, des th\u00e8mes r\u00e9currents, omnipr\u00e9sents, parfois incontournables. Tout d\u2019abord les acteurs principaux, le toro, les toreros et les cuadrillas. Et puis il y a le reste, la mise en sc\u00e8ne, le rituel, l\u2019avant et l\u2019apr\u00e8s de la grande faena de la vie, de la grande faena de la mort.
St\u00e9phanie M\u00e9dieux est femme, peintre et brodeuse de couleurs.\u00a0 Ses toiles taurines sont brod\u00e9es de temple, de duende et d\u2019amour.
Face aux mille toros qui surgissent dans l\u2019ar\u00e8ne,\u00a0 il y a dans sa peinture mille couleurs, milles frissons, mille \u00e9clats de lumi\u00e8re, mille passes \u00e9ternelles , comme ces azulejos andalous qu\u2019elle d\u00e9compose et recompose au compas de ses pinceaux.\u00a0\u00bb<\/p>\n

\u00ab Entre tes cornes et mon c\u0153ur se mirent \u00e0 r\u00e9sonner
Les\u00a0 chants des hommes libres aux couleurs m\u00e9lang\u00e9es \u00bb<\/p>\n

Gabriel Sandoval<\/strong><\/p>\n

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CONTACTEZ -MOI<\/a><\/span><\/p>\n

POUR EN SAVOIR PLUS<\/a><\/span><\/p>\n

OU POUR UN RENDEZ-VOUS<\/a><\/span><\/p>\n

A L’ATELIER<\/a><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16″ text_font=\u00a0\u00bbShadows Into Light||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb20px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

C’est tellement plus facile en se parlant !<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

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